Review of the JVC GY-250 -On paper this looked ideal.I've been filming local gigs for about 6yrs on Canon DSLR's and thought this would be an ideal upgrade due to its streaming function, its ability to record to the memory cards 'whilst' streaming (something the Canons don't do), its ability to insert a 'logo' onto the video, overlay graphics whilst streaming and it's recording in .mov format which i'm used to so would save the learning curve of switching file format and having to change my editing software.On it's arrival yesterday all seemed well until I did a couple of test recordings in my lounge.First off I noticed the LCD screen was quite grainy, nowhere near as clear as on the Canon 70'D's.Next up was the focusing, even on the 'fast' setting it is quite slow and struggles in anything but bright light, (used my LED video light), compared to the DSLR's and without a touch to focus screen you are relying on its autofocus with no apparent focus point showing on the screen or in the viewfinder.I then got the DSLR out and did a short vid to compare the two under the same lighting conditions.The Canon had no trouble focusing...without the additonal LED video light that the JVC needed.'Hunting' seems to be it's favourite hobby which renders it useless if what you are filming is not stationary, theres simply no excuse for this happening with todays technology, I'd actually forgot about lenses struggling to focus it's been that long since I came across it.Apart from that it appears to be well built.It's pretty much useless for live filming gigs and run'n'gun shooting due to its difficulty in focusing so it's gone straight back for a refund.However... If you are simply setting it up on a tripod to film a meeting/event/etc on a tripod and using a fixed focus point and it is a well lit venue then it's ability to live stream might come in handy.In the real worls of rough'n'ready filming on the go.....don't bother.Very disappointed.
S. JonesReview of the JVC GY-250 -
On paper this looked ideal.
I've been filming local gigs for about 6yrs on Canon DSLR's and thought this would be an ideal upgrade due to its streaming function, its ability to record to the memory cards 'whilst' streaming (something the Canons don't do), its ability to insert a 'logo' onto the video, overlay graphics whilst streaming and it's recording in .mov format which i'm used to so would save the learning curve of switching file format and having to change my editing software.
On it's arrival yesterday all seemed well until I did a couple of test recordings in my lounge.
First off I noticed the LCD screen was quite grainy, nowhere near as clear as on the Canon 70'D's.
Next up was the focusing, even on the 'fast' setting it is quite slow and struggles in anything but bright light, (used my LED video light), compared to the DSLR's and without a touch to focus screen you are relying on its autofocus with no apparent focus point showing on the screen or in the viewfinder.
I then got the DSLR out and did a short vid to compare the two under the same lighting conditions.
The Canon had no trouble focusing...without the additonal LED video light that the JVC needed.
'Hunting' seems to be it's favourite hobby which renders it useless if what you are filming is not stationary, theres simply no excuse for this happening with todays technology, I'd actually forgot about lenses struggling to focus it's been that long since I came across it.
Apart from that it appears to be well built.
It's pretty much useless for live filming gigs and run'n'gun shooting due to its difficulty in focusing so it's gone straight back for a refund.
However... If you are simply setting it up on a tripod to film a meeting/event/etc on a tripod and using a fixed focus point and it is a well lit venue then it's ability to live stream might come in handy.
In the real worls of rough'n'ready filming on the go.....don't bother.
Very disappointed.
Whether you're shooting 4K Ultra HD, 4:2:2 full HD or streaming to the web, the GY-HM250E does it all. Its integrated 12x optical zoom lens and 4K CMOS sensor deliver stunning 4K Ultra HD recordings directly to SDHC/SDXC memory cards, together with dual codec advanced streaming technology. The camera also has a tele-macro mode for better focus on close objects and features lower-third and full-screen titling graphic solutions.
Advanced IP network communication and live HD streaming
The camcorder features JVC's latest IP communications engine, giving you remote control and monitoring of vital camera and lens functions from a tablet, smartphone, or computer anywhere in the world. Live streaming is possible in HD or SD resolutions, depending on available bandwidth. Connect your camera to an optional Wi-Fi or 4G/LTE modem and share your programme with an audience anywhere in the world via content delivery networks such as YouTube, Facebook Live, and other cloud services.
HD-SDI (3G) and HDMI output
The camcorder comes with a wide variety of connectors to meet the needs of professional applications, including HD-SDI (3G) and HDMI. Secured digital connection is assured between external devices such as a recorder or switcher. Simultaneous output from both SDI and HDMI is also possible.
1/2.3-inch 12.4M CMOS sensor
This camcorder was built to deliver stunning, life-like 4K Ultra HD (3840x2160) video. JVCs 4K CMOS sensor with 12.4M pixels delivers high sensitivity and excellent performance over a wide range of lighting conditions. Details are crisp and accurate throughout the entire image plane.
Full HD 4:2:2 recording at 50Mbps
The ability to record H.264 4:2:2 24-60p at 50Mbps makes this an ideal camera for broadcasting and production houses alike. The colour accuracy of 4:2:2 enables the camera to deliver exceptional colour resolution even when
| Item Package Dimensions L x W x H | 35.2 x 28.2 x 25.8 cm |
| Package Weight | 2.80 Kilograms |
| Item Dimensions L x W x H | 14.9 x 30.7 x 19.1 cm |
| Item Weight | 1.60 Kilograms |
| Brand Name | JVC |
| Color Name | Black |
| Max Focal Length | 354 millimetres |
| Memory Slots Available | Memory Card Slot |
| Min Focal Length | 29.5 millimetres |
| Model Year | 2018 |
| Part Number | GY-HM250E |
| Photo Filter Thread Size | 62 millimetres |
| Effective Still Resolution | 12.4 megapixels |
